Miguel Cervantes

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CHAPTER LVIII.

A pleasant account of the Puppet-play; with other very good things.

[Pg 266] "Gentlemen," said the boy, raising his voice, "we present you here with a true history, taken out of the chronicles of France, and the Spanish ballads, sung even by the boys about the streets, and in every body's mouth; it tells you how Don Gayferos delivered his wife Melisandra, that was a prisoner among the Moors in Spain, in the city of Sansuena, now called Saragosa. Now, gallants, the first figure we present you with is Don Gayferos, playing at tables, according to the ballad:

 

 'Gayferos now at tables plays,
 Forgetful of his lady dear.'
 

"Next you will mark that personage that peeps out there with a crown on his head and a sceptre in his hand. It is the Emperor Charlemagne, the fair Melisandra's reputed father, who, vexed at the idleness and negligence of his son-in-law, comes to chide him; and pray, observe with what passion and earnestness he rates him, as if he had a mind to lend him half a dozen sound raps over the pate with his sceptre; nay, some authors do not stick to tell you he gave him as many, and well laid on too. Now see how he starts up, and in a rage knocks the tables one way, and whirls the men another; and, calling for his arms with all haste, borrows his cousin-german Orlando's sword, Durindana, who withal offers to go along with him in this difficult adventure; but the valorous enraged knight will not let him, and says he is able to deliver his wife himself, without his help, though they kept her down in the very centre of the earth. And now he is going to put on his armour, in order to begin his journey.

"Now, gentlemen, cast your eyes upon yon tower; you are to suppose it one of the towers of the castle of Saragosa. That lady, whom you see in the balcony in a Moorish habit, is the peerless Melisandra, casting many a heavy look towards France, thinking of Paris and her husband, the only comfort in her imprisonment. But now,—silence, gentlemen, pray, silence! here is an accident wholly new, the like perhaps never heard of before. Don't you see that Moor who comes on tiptoe, creeping and stealing along with his finger in his mouth, behind Melisandra? Hear what a smack he gives on her sweet lips, and see how she spits, and wipes her mouth with her white smock-sleeve; see how she takes on, and tears her lovely hair for very madness, as if it were to blame for this affront. Next, pray observe that grave Moor that stands in the open gallery; that is Marsilius, the king of Sansuena, [Pg 267] who, having been an eye-witness of the sauciness of the Moor, ordered him immediately to be apprehended, though his kinsman and great favourite, and to have two hundred lashes given him. And look how all this is put in execution sooner almost than the fact is committed; for your Moors, you must know, don't use any (...)

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