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Jules Verne: balíček 12 elektronických knih (PDF+ePub)     za 528  238 Kč (-55%)

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IX

The following day the family, meeting at eight o'clock for the early breakfast, made a picture of genuine domestic intimacy. Grief had drawn Madame Grandet, Eugenie, and Charles en rapport; even Nanon sympathized, without knowing why. The four now made one family. As to the old man, his satisfied avarice and the certainty of soon getting rid of the dandy without having to pay more than his journey to Nantes, made him nearly indifferent to his presence in the house. He left the two children, as he called Charles and Eugenie, free to conduct themselves as they pleased, under the eye of Madame Grandet, in whom he had implicit confidence as to all that concerned public and religious morality. He busied himself in straightening the boundaries of his fields and ditches along the high-road, in his poplar-plantations beside the Loire, in the winter work of his vineyards, and at Froidfond. All these things occupied his whole time.

For Eugenie the springtime of love had come. Since the scene at night when she gave her little treasure to her cousin, her heart had followed the treasure. Confederates in the same secret, they looked at each other with a mutual intelligence which sank to the depth of their consciousness, giving a closer communion, a more intimate relation to their feelings, and putting them, so to speak, beyond the pale of ordinary life. Did not their near relationship warrant the gentleness in their tones, the tenderness in their glances? Eugenie took delight in lulling her cousin's pain with the pretty childish joys of a new-born love. Are there no sweet similitudes between the birth of love and the birth of life? Do we not rock the babe with gentle songs and softest glances? Do we not tell it marvellous tales of the golden future? Hope herself, does she not spread her radiant wings above its head? Does it not shed, with infant fickleness, its tears of sorrow and its tears of joy? Does it not fret for trifles, cry for the pretty pebbles with which to build its shifting palaces, for the flowers forgotten as soon as plucked? Is it not eager to grasp the coming time, to spring forward into life? Love is our second transformation. Childhood and love were one and the same thing to Eugenie and to Charles; it was a first passion, with all its child-like play,—the more caressing to their hearts because they now were wrapped in sadness. Struggling at birth against the gloom of mourning, their love was only the more in harmony with the provincial plainness of that gray and ruined house. As they exchanged a few words beside the well in the silent court, or lingered in the garden for the sunset hour, sitting on a mossy seat saying to each other the infinite nothings of love, or mused in the silent calm which reigned between the house and the ramparts like that beneath the arches of a church, Charles comprehended the sanctity of love; for his great lady, his dear Annette, had taught him only its stormy troubles. At this moment he left the worldly passion, coquettish, vain, and showy as it was, and turned to the true, pure love. He loved even the house, whose customs no longer seemed to him ridiculous. He got up early in the mornings that he might talk with Eugenie for a moment before her father came to dole out the provisions; when the steps of the old man sounded on the staircase he escaped into the garden. The small criminality of this morning tete-a-tete which Nanon pretended not to see, gave to their innocent love the lively charm of a forbidden joy.

(...)

(Honoré de Balzac, Eugenie Grandet)

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