Henryk Sienkiewicz
translation: Jeremiah Curtin

QUO VADIS
A Narrative of the Time of Nero
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Chapter LVII

THREE days' rain, an exceptional phenomenon in Rome during summer, and hail falling in opposition to the natural order, not only in the day, but even at night, interrupted the spectacles. People were growing alarmed. A failure of grapes was predicted, and when on a certain afternoon a thunderbolt melted the bronze statue of Ceres on the Capitol, sacrifices were ordered in the temple of Jupiter Salvator. The priests of Ceres spread a report that the anger of the gods was turned on the city because of the too hasty punishment of Christians; hence crowds began to insist that the spectacles be given without reference to weather. Delight seized all Rome when the announcement was made at last that the ludus would begin again after three days' interval.

Meanwhile beautiful weather returned. The amphitheatre was filled at daybreak with thousands of people. Casar came early with the vestals and the court. The spectacle was to begin with a battle among the Christians, who to this end were arrayed as gladiators and furnished with all kinds of weapons which served gladiators by profession in offensive and defensive struggles. But here came disappointment. The Christians threw nets, darts, tridents, and swords on the arena, embraced and encouraged one another to endurance in view of torture and death. At this deep indignation and resentment seized the hearts of the multitude. Some reproached the Christians with cowardice and pusillanimity; others asserted that they refused to fight through hatred of the people, so as to deprive them of that pleasure which the sight of bravery produces. Finally, at command of Casar, real gladiators were let out, who despatched in one twinkle the kneeling and defenceless victims.

When these bodies were removed, the spectacle was a series of mythologic pictures,--Casar's own idea. The audience saw Hercules blazing in living fire on Mount Oeta. Vinicius had trembled at the thought that the role of Hercules might be intended for Ursus; but evidently the turn of Lygia's faithful servant had not come, for on the pile some other Christian was burning,--a man quite unknown to Vinicius. In the next picture Chilo, whom Casar would not excuse from attendance, saw acquaintances. The death of Dadalus was represented, and also that of Icarus. In the rôle of Dadalus appeared Euricius, that old man who had given Chilo the sign of the fish; the role of Icarus was taken by his son, Quartus. Both were raised aloft with cunning machinery, and then hurled suddenly from an immense height to the arena. Young Quartus fell so near Casar's podium that he spattered with blood not only the external ornaments but the purple covering spread over the front of the podium. Chilo did not see the fall, for he closed his eyes; but he heard the dull thump of the body, and when after a time he saw blood there close to him, he came near fainting a second time.

The pictures changed quickly. The shameful torments of maidens violated (...)

(......)