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Jules Verne

THE MYSTERIOUS ISLAND
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Chapter 17

Day had returned. No ray of light penetrated into the profundity of the cavern. It being high-water, the entrance was closed by the sea. But the artificial light, which escaped in long streams from the skylights of the “Nautilus” was as vivid as before, and the sheet of water shone around the floating vessel.

An extreme exhaustion now overcame Captain Nemo, who had fallen back upon the divan. It was useless to contemplate removing him to Granite House, for he had expressed his wish to remain in the midst of those marvels of the “Nautilus” which millions could not have purchased, and to wait there for that death which was swiftly approaching.

During a long interval of prostration, which rendered him almost unconscious, Cyrus Harding and Gideon Spilett attentively observed the condition of the dying man. It was apparent that his strength was gradually diminishing. That frame, once so robust, was now but the fragile tenement of a departing soul. All of life was concentrated in the heart and head.

The engineer and reporter consulted in whispers. Was it possible to render any aid to the dying man? Might his life, if not saved, be prolonged for some days? He himself had said that no remedy could avail, and he awaited with tranquillity that death which had for him no terrors.

“We can do nothing,” said Gideon Spilett.

“But of what is he dying?” asked Pencroft.

“Life is simply fading out,” replied the reporter.

“Nevertheless,” said the sailor, “if we move him into the open air, and the light of the sun, he might perhaps recover.”

“No, Pencroft,” answered the engineer, “it is useless to attempt it. Besides, Captain Nemo would never consent to leave his vessel. He has lived for a dozen years on board the ‘Nautilus,’ and on board the ‘Nautilus’ he desires to die.”

Without doubt Captain Nemo heard Cyrus Harding’s reply, for he raised himself slightly, and in a voice more feeble, but always intelligible,—

“You are right, sir,” he said. “I shall die here—it is my wish; and therefore I have a request to make of you.”

Cyrus Harding and his companions had drawn near the divan, and now arranged the cushions in such a manner as to better support the dying man.

They saw his eyes wander over all the marvels of this saloon, lighted by the electric rays which fell from the arabesques of the luminous ceiling. He surveyed, one after the other, the pictures hanging from the splendid tapestries of the partitions, the chef-d’oeuvres of the Italian, Flemish, French, and Spanish masters; the statues of marble and bronze on their pedestals; the magnificent organ, leaning against the after-partition; the aquarium, in which bloomed the most wonderful productions of the sea— marine plants, zoophytes, chaplets of pearls of inestimable value; and, finally, his eyes rested on this device, inscribed over the pediment of the museum—the motto of the “Nautilus”—

“Mobilis in mobile.”

His glance seemed to (...)

(......)


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