Lewis Carroll

PHANTASMAGORIA AND OTHER POEMS
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TÈMA CON VARIAZIÒNI

[Why is it that Poetry has never yet been subjected to that process of Dilution which has proved so advantageous to her sister-art Music?  The Diluter gives us first a few notes of some well-known Air, then a dozen bars of his own, then a few more notes of the Air, and so on alternately: thus saving the listener, if not from all risk of recognising the melody at all, at least from the too-exciting transports which it might produce in a more concentrated form.  The process is termed “setting” by Composers, and any one, that has ever experienced the emotion of being unexpectedly set down in a heap of mortar, will recognise the truthfulness of this happy phrase.

For truly, just as the genuine Epicure lingers lovingly over a morsel of supreme Venison - whose every fibre seems to murmur “Excelsior!” - yet swallows, ere returning to the toothsome (...)

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