Jules Verne

IN SEARCH OF THE CASTAWAYS
or The Children of Captain Grant
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CHAPTER IX INTRODUCTION TO THE CANNIBALS

THE next morning at daybreak a thick fog was clinging to the surface of the river. A portion of the vapors that saturated the air were condensed by the cold, and lay as a dense cloud on the water. But the rays of the sun soon broke through the watery mass and melted it away.

A tongue of land, sharply pointed and bristling with bushes, projected into the uniting streams. The swifter waters of the Waipa rushed against the current of the Waikato for a quarter of a mile before they mingled with it; but the calm and majestic river soon quieted the noisy stream and carried it off quietly in its course to the Pacific Ocean.

When the vapor disappeared, a boat was seen ascending the current of the Waikato. It was a canoe seventy feet long, five broad, and three deep; the prow raised like that of a Venetian gondola, and the whole hollowed out of a trunk of a kahikatea. A bed of dry fern was laid at the bottom. It was swiftly rowed by eight oars, and steered with a paddle by a man seated in the stern.

This man was a tall Maori, about forty-five years of age, broad-chested, muscular, with powerfully developed hands and feet. His prominent and deeply-furrowed brow, his fierce look, and sinister expression, gave him a formidable aspect.

Tattooing, or “moko,” as the New Zealanders call it, is a mark of great distinction. None is worthy of these honorary lines, who has not distinguished himself in repeated fights. The slaves and the lower class can not obtain this decoration. Chiefs of high position may be known by the finish and precision and truth of the design, which sometimes covers their whole bodies with the figures of animals. Some are found to undergo the painful operation of “moko” five times. The more illustrious, the more illustrated, is the rule of New Zealand.

Dumont D’Urville has given some curious details as to this custom. He justly observes that “moko” is the counterpart of the armorial bearings of which many families in Europe are so vain. But he remarks that there is this difference: the armorial bearings of Europe are frequently a proof only of the merits of the first who bore them, and are no certificate of the merits of his descendants; while the individual coat-of-arms of the Maori is an irrefragible proof that it was earned by the display of extraordinary personal courage.

The practice of tattooing, independently of the consideration it procures, has also a useful aspect. It gives the cu-taneous system an increased thickness, enabling it to resist the inclemency of the season and the incessant attacks of the mosquito.

As to the chief who was steering the canoe, there could be no mistake. The sharpened albatross bone used by the Maori tattooer, had five times scored his countenance. He was in his fifth edition, and betrayed it in his haughty bearing.

His figure, draped in a large mat woven of “phormium” trimmed with dogskins, was (...)

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