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Henryk Sienkiewicz
translation: Jeremiah Curtin

QUO VADIS
A Narrative of the Time of Nero

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Chapter LXI

DARKNESS had not come when the first waves of people began to flow into Casar's gardens. The crowds, in holiday costume, crowned with flowers, joyous, singing, and some of them drunk, were going to look at the new, magnificent spectacle. Shouts of "Semaxii! Sarmentitii!" were heard on the Via Tecta, on the bridge of Ćmilius, and from the other side of the Tiber, on the Triumphal Way, around the Circus of Nero, and off towards the Vatican Hill. In Rome people had been seen burnt on pillars before, but never had any one seen such a number of victims.

Casar and Tigellinus, wishing to finish at once with the Christians and also to avoid infection, which from the prisons was spreading more and more through the city, had given command to empty all dungeons, so that there remained in them barely a few tens of people intended for the close of the spectacles. So, when the crowds had passed the gates, they were dumb with amazement. All the main and side alleys, which lay through dense groves and along lawns, thickets, ponds, fields, and squares filled with flowers, were packed with pillars smeared with pitch, to which Christians were fastened. In higher places, where the view was not hindered by trees, one could see whole rows of pillars and bodies decked with flowers, myrtle, and ivy, extending into the distance on high and low places, so far that, though the nearest were like masts of ships, the farthest seemed colored darts, or staffs thrust into the earth. The number of them surpassed the expectation of the multitude. One might suppose that a whole nation had been lashed to pillars for Rome's amusement and for Casar's. The throng of spectators stopped before single masts when their curiosity was roused by the form or the sex of the victim; they looked at the faces, the crowns, the garlands of ivy; then they went farther and farther, asking themselves with amazement, "Could there have been so many criminals, or how could children barely able to walk have set fire to Rome?" and astonishment passed by degrees into fear.

Meanwhile darkness came, and the first stars twinkled in the sky. Near each condemned person a slave took his place, torch in hand; when the sound of trumpets was heard in various parts of the gardens, in sign that the spectacle was to begin, each slave put his torch to the foot of a pillar. The straw, hidden under the flowers and steeped in pitch, burned at once with a bright flame which, increasing every instant, withered the ivy, and rising embraced the feet of the victims. The people were silent; the gardens resounded with one immense groan and with cries of pain. Some victims, however, raising their faces toward the starry sky, began to sing, praising Christ. The people listened. But the hardest hearts were filled with terror when, on smaller pillars, children cried with shrill voices, "Mamma! Mamma!" A shiver ran through even spectators who were drunk when they saw little heads and innocent faces (...)

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