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Miguel Cervantes: balíček 2 elektronických knih (PDF+ePub)     za 98  74 Kč (-25%)

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David awaited the interview with the Cointets with a vague feeling of uneasiness; not, however, on account of the proposed partnership, nor for his own interests—he felt nervous as to their opinion of his work. He was in something the same position as a dramatic author before his judges. The inventor's pride in the discovery so nearly completed left no room for any other feelings.

At seven o'clock that evening, while Mme. du Chatelet, pleading a sick headache, had gone to her room in her unhappiness over the rumors of Lucien's departure; while M. de Comte, left to himself, was entertaining his guests at dinner—the tall Cointet and his stout brother, accompanied by Petit-Claud, opened negotiations with the competitor who had delivered himself up, bound hand and foot.

A difficulty awaited them at the outset. How was it possible to draw up a deed of partnership unless they knew David's secret? And if David divulged his secret, he would be at the mercy of the Cointets. Petit-Claud arranged that the deed of partnership should be the first drawn up. Thereupon the tall Cointet asked to see some specimens of David's work, and David brought out the last sheet that he had made, guaranteeing the price of production.

"Well," said Petit-Claud, "there you have the basis of the agreement ready made. You can go into partnership on the strength of those samples, inserting a clause to protect yourselves in case the conditions of the patent are not fulfilled in the manufacturing process."

"It is one thing to make samples of paper on a small scale in your own room with a small mould, monsieur, and another to turn out a quantity," said the tall Cointet, addressing David. "Quite another thing, as you may judge from this single fact. We manufacture colored papers. We buy parcels of coloring absolutely identical. Every cake of indigo used for 'blueing' our post-demy is taken from a batch supplied by the same maker. Well, we have never yet been able to obtain two batches of precisely the same shade. There are variations in the material which we cannot detect. The quantity and the quality of the pulp modify every question at once. Suppose that you have in a caldron a quantity of ingredients of some kind (I don't ask to know what they are), you can do as you like with them, the treatment can be uniformly applied, you can manipulate, knead, and pestle the mass at your pleasure until you have a homogeneous substance. But who will guarantee that it will be the same with a batch of five hundred reams, and that your plan will succeed in bulk?"

David, Eve, and Petit-Claud looked at one another; their eyes said many things.

"Take a somewhat similar case," continued the tall Cointet after a pause. "You cut two or three trusses of meadow hay, and store it in a loft before 'the heat is out of the grass,' as the peasants say; the hay ferments, but no harm comes of it. You follow up your experiment by storing a couple of thousand trusses in a wooden barn—and, of course, the hay smoulders, and the barn blazes up like a lighted match. You are an educated man," continued Cointet; "you can see the application for yourself. So far, you have only cut your two trusses of hay; we are afraid of setting fire to our paper-mill by bringing in a couple of thousand trusses. In other words, we may spoil more than one batch, make heavy losses, and find ourselves none the better for laying out a good deal of money."

(...)

(Honoré de Balzac, Lost Illusions)

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